Recent acquisitions
☞ The Photographic Prints, Posters & Postcards on one hand, and the Original Artworks, Drawings and Prints on the other, now have their own, especially dedicated pages! These sections had grown so vast that navigation was getting unpractical. Better now, we hope.

Kikan Shashin Eizo / Photo Image 3 (1969)

Kikan Shashin Eizo / The Photo Image 3. Photographic Quarterly. Winter 1969. Tokyo : Shashin Hyoron-sha, Showa 44 / 1969. — AVAILABLE: see STOCKLIST for pricing

Description — 4° (25 x 22 x 1 cm), 170 p., 550 g.
Pict. softcover, color and b&w photographs. Text in Japanese; table & summary in English.
Couv. souple, photographies coul. et n&b. Texte en japonais ; table & sommaire en anglais.

État / Condition — VG / TB.

Remarques & avis / Review — The third issue of the quality quarterly Shashin Eizo / Photo Image, an outstanding avant-garde photography & critic laboratory, featuring impressive series by Kishin SHINOYAMA (LILI, the complete series here, previously unpublished, among which is found 'the breathtakingly sensual and beastly picture in which a negro boy and a half-caste girl intertwine their bodies', as MISHIMA Yukio put it when he saw it during the 28 Girls exhibition), Ed VAN DER EISKEN (striking monochrome portraits, outstanding gravure-printing), Daido MORIYAMA (experimental blurred & grainy urban snapshots; entails some of his now most famous photos), KIMURA Tsunehisa & TANAI Mizuo (vivid monochrome photocollages). An excellent issue.

Le troisième numéro du trimestriel de luxe Shashin Eizo / Photo Image, un remarquable laboratoire de photographie et de critique d'avant-garde, avec à l'honneur d'impressionnantes séries par SHINOYAMA Kishin (LILI, série complète, inédite, parmi laquelle se trouve "la photo sensuelle et animale à couper le souffle où un nègre et une métisse japonaise entremêlent leurs corps", comme MISHIMA Yukio l'écrivit lorsqu'il la vit lors de l'exposition pour 28 Girls), Ed VAN DER EISKEN (impressionnants portraits monochromes, remarquablement héliogravés), MORIYAMA Daido (snapshots urbains expérimentaux flous à gros grains ; comprend des photos parmi ses plus célèbres à présent), KIMURA Tsunehisa & TANAI Mizuo (photocollages monochromes très vifs). Excellent numéro.

Divers / Misc. — Table of Contents:

(4 + 36 p., 2 + 27 pl., monochrome)
Article by Ken SANDERS
KUSAMORI Shin'ichi : Kishin Shinoyama

SPECIAL 2 : Ed VAN DER EISKEN : Dignified People
(36 p., 36 pl., monochrome, photogravure)
SUZUKI Shiroyasu : The Will that Realizes Individuality
(2 monochrome pl. by Ed VAN DER EISKEN)

SPECIAL 3 : MORIYAMA Hiromichi (Daido) : 1969, 11
(25 p., 24 pl., monochrome)
FUJIEDA Teruo : Behold the World as an Equivalent

KIMURA Tsunehisa / TANAI Mizuo : Additives
(24 p. & pl., pink / blue / red-orange / brown monochromes, gravure)
KIMURA Tsunehisa : Toothbrish and Razor

KONDO Kojin : Reality of Photographs
TAKECHI Tetsuji 'Black Snow' and Obscenity Trial
KATO Ikuya : Nostalgia in a Strange Land (2 monochrome pl.)

KUWABARA Kineo : Espana, La Gran Tarde
TAKAHASHI Mutsuro : All Human is But Vanity
OOE Masanori : What for us means 'movieing'?
HIUGA Akiko : A Poesy of Anti-Platonic Republic

Art Director : MURASE Hideaki
Lay out : IKEDA Taku
Cover Photo : OGAWA Takayuki

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