déjà-vu. N°14, 1993/10 : The "Provoke" Era : Turning Point in Post-War Japanese Photography / Anselm KIEFER. Tokyo : Photo-planète Co., 1993. — OUT OF STOCK
Description — In-4° (30 x 23 x 1 cm), 176 p., 900 g.
Pict. softcover, color and b&w pictures. Text in Japanese ; table of contents, part of the texts & captions, and summaries in English.
Couv. souple ill., photos coul. et n&b. Texte en japonais ; table des matières, une part des textes & légendes, et résumés en anglais.
État / Condition — VG / TB.
Remarques & avis / Review — Here is the fourteenth and exceptional issue, dedicated to the avant-garde Japanese photography magazine "Provoke" (NAKAHIRA Takuma, TAKANASHI Yutaka, TAKI Koji, OKADA Takahiko, MORIYAMA Daido) and to Anselm KIEFFER, of the very influential déjà-vu - a photography quarterly, deluxe photography magazine published between 1990 and 1995. Cf. table of contents in Misc. Oen of the most significant issues of déjà-vu, and the best document & publication to this day concerning "Provoke".
Quatorzième et exceptionnel numéro, dédié au magazine japonais de photographie d'avant-garde "Provoke" (NAKAHIRA Takuma, TAKANASHI Yutaka, TAKI Koji, OKADA Takahiko, MORIYAMA Daido) et à Anselm KIEFFER, de la très-influente déjà-vu - a photography quarterly, revue photographique japonaise de luxe qui sévit de 1990 à 1995. Cf. table des matières dans Divers. L'un des plus importants numéros de déjà-vu, et le meilleur document & publication au sujet de "Provoke".
Divers / Misc. — À la table / Table of Contents :
feature 1
The "Provoke" Era
Turning Point in Post-war Japanese Photography
Preface
The "Provoke" Era : A Chronology, 1966-1974
NAKAHIRA Takuma, TAKI Koji, TAKANASHI Yukata, MORIYAMA Daido
Symposium : "Provoke" and After — TAKI Koji, OHSHIMA Hiroshi, IIZAWA Kohtaro, YASUMI Akihito
Interviews :
TAKI Koji — "My thinking on photography and language was immature."
NAKAHIRA Takuma — "The best work was TAKANASHI's."
MORIYAMA Daido — "NAKAHIRA was my only rival."
TAKANASHI Yukata — "I was always irritated by photography being a tautology."
OKADA Takahiko — "The city landscape was still unformed in Shinjuku."
YANAGIMOTO Naomi — "Ninety percent of their talk was politics."
KUWABARA Kineo — "It was a magazine that radically rejected established photography."
TOMATSU Shomei — "The photographer is a child of his era."
NAITO Masatoshi — "Photography captures what's invisible."
YOKOSUKA Noriaki — "No, working in the world of big money is much more interesting than such a minor movement."
TATSUKI Yoshihiro — "TAKANASHI had the spirit of someone who's crawling on the earth."
SAWATARI Hajime — "There were no taboos then."
ARAKI Nobuyoshi — "I was alone with my private protest."
essays :
NISHII Kazuo — Dialectic of "Provoke" : Retrogression and Departure in 1968
IIZAWA Kohtaro — "Provoke" Photographers After "Provoke"
feature 2
Anselm KIEFER
TAKI Koji — Photography in Anselm KIEFER's Work
works in progress
NARAKI Itsuro
essays
MINATO Chihiro — European Notes 2 : Northern Ireland
reviews
KANAI Mieko — KUWABARA Kineo and ARAKI Nobuyoshi, "Love You Tokyo"
Nan GOLDIN — "Das Bild des Körpers"
KOBAYASHI Yasuo — "SHOJI Ueda"
OTAKE Akiko — KUSAMORI Shinichi, "The Center of Photography"
NISHII Kazuo — Roman VISHNIAC, "To Give Them Light"
topics
IIZAWA Kohtaro — Nan GOLDIN, "The Ballad of Sexual Dependency" (slide show)
English texts and summaries
Announcements
tokyo Beat
MIURA Kazuto
KANEMURA Osamu
AKIYAMA Ryoji
ITO Masayo
covers : NAKAHIRA Takuma
OHASHI Jin / Zin
MIYAMOTO Chiho
NISHI Kouichi
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