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☞ The Photographic Prints, Posters & Postcards on one hand, and the Original Artworks, Drawings and Prints on the other, now have their own, especially dedicated pages! These sections had grown so vast that navigation was getting unpractical. Better now, we hope.

Graphic Arts Japan, n°13, 1971-1972 (1971)



Graphic Arts Japan. Vol. 13. 1971-1972. Tokyo : Japan Printers' Association, 1971.OUT OF STOCK

Description — In-4° (30 x 21 x 2 cm), 194 p, 1,1 kg.
Pict. softcover, Numerous ill. and engravings, b&w / colors, 1 fold-out. Text in English.
Couv. souple ill., nombreuses ill. et gravures, n&b / coul., 1 double page dépliante. Texte en anglais.

État / Condition — Good (slight rub on lower spine ends, foxing on the upper cover, a bit soiled on spinestrip and lower cover).

Bon (coiffe inf. lég. frottée, rousseurs sur la 1ère de couv., un peu sali au dos & en 4e de couv.).

Remarques & avis / Review — True showcase of printing in the Japan of the 1960s and 70s. GAJ is an excellent publication, which joins ground articles (see below) and a great variety of illustrations (silver-gold, in 3D...) and engravings (photo-litho., copper, intaglio, various combinations...). Our favorites in this vol. 13 : a splendid 3-color copper intaglio engraving of the Kotoji Lantern in Kenrokuen Park (Kanazawa), the very "kitsch" Thermo-Printex (heat transfer printing on fabric) ad, showing 1970s girl wearing kimono, the beautiful view of the leaves in fire (kouyou) at the Muroji temple in Nara, six silver stickers in slide size, and the typographic composition towards the end.

Véritable vitrine de l'imprimerie du Japon des années 1960-70. GAJ est une excellente publication, qui associe des articles techniques de fond (voir ci-dessous) et une extrême richesse en tous types d'illustrations (dorées-argentées, en relief...) et gravures (photo-litho., cuivre, intaglio, combinaisons diverses...) avec, en coups de cœur et chefs-d'œuvre de ce vol. 13 : une magnifique gravure sur cuivre en intaglio 3 coul. représentant la lanterne Kotoji du parc de Kenrokuen (Kanazawa), la très "kitsch" publicité Thermo-Printex (impression sur tissu par transfer de chaleur), montrant fille très 70s en kimono, la splendide vue des feuilles en feu (kouyou) au temple Muroji de Nara, les six auto-collants argentés au format diapositive, et la composition typographique en queue.

Divers / Misc. — Au sommaire / Contents :

Prospects of Japanese Graphic Arts (Yamaguchi)
Ink Behavior Near Ink Duct of Intaglio Press (Yoshijima)
Photochromic Imaging Systems (Inoue)
APR in Newspaper Printing (Musha)
Dynamic Visco-Elasticity of Printing Ink (Watanabe)
Retor Pouch (Mizutani)
New Solventless Fast-Drying Inks (Nemoto)
Magnetic Printing (Arai)
Interior Design and Printing (Nakamura)
Lami Tube (Nakayama)
Thermo Printex (Anzai)
Hybrid Presses for Newspaper Printing (Mogi)
Web Offset Printing in Japan (Takamizawa)
Questions about Web Offset Ink (Ichimi)
Typical Printing Machines and Equipment, Design Education in Japan (Kobayashi)
Trends of Business Form in Japan (Fujioka)
Automatic Plate Developing Machine and Its Significance for the Future (Matsuo)
Japanese Printing Ink Industry Today (Kojima), Paper and Pulp Industry
Today and Tomorrow (Makabe)
Present State of Japanese Cellophane Industry (Hotta)
On Book-Binding and Design Contests (Shimizu)
On Development of New Typeface Design of The Thai (Murai)
Japan Wins Graphic Design Prize.
















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