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Showing posts with label LANGUAGE - ENGLISH. Show all posts
Showing posts with label LANGUAGE - ENGLISH. Show all posts

Graphic Arts Japan, n° 14, 1972-73 (1972)



Graphic Arts Japan. Vol. 14. 1972-1973. Tokyo : Japan Printers' Association, 1972.OUT OF STOCK

Description — 4° (30 x 21 x 2 cm), 206 pp, 1.2 kg.
Pictorial softcover. Numerous ill. and engravings, b&w / colors, 1 unfolding double page. Texts in English.
ouv. ill. Très nombreuses ill. et gravures, n&b / coul., 1 double page dépliante. Textes en anglais.

État / Condition — Good / Bon.

Remarques & avis / Review — The true showcase of printing in the Japan of the 1960s and 70s. GAJ is an excellent publication, which joins ground articles (see below) and a great variety of illustrations (silver-gold, in 3D...) and engravings (photo-litho., copper, intaglio, various combinations...).
Our favorites in this vol. 14 : the truly superb upper cover ("Edo Komon and Hokusai" by Nakamura Makoto, renowned artist and at the time chief of the Design Office at Shiseido's), a very fine engraving of one of Sharaku's kabuki actors, the "Cash Dispenser Special Card" (It's year 1972, mind you) which acts as the advertizement for Toppan Printing, and the small 70s marvels which come along with it, the very pretty reproduction of an all pastel-color woodprint (for Yoshida Printing), two silver photo-stickers (Cellostick), and many more : this volume is definitely a favorite. Uncommon.

Véritable vitrine de l'imprimerie du Japon des années 1960-70. GAJ est une excellente publication, qui associe des articles techniques de fond (voir ci-dessous) et une extrême richesse en tous types d'illustrations (dorées-argentées, en relief...) et gravures (photo-litho., cuivre, intaglio, combinaisons diverses...).
En coups de cœur et chefs-d'œuvre de ce vol. 14 : la couverture ("Edo Komon and Hokusai" par Nakamura Makoto, artiste renommé et, à l'époque, chef du département Design de Shiseido), absolument splendide, une magnifique gravure reproduisant un acteur de kabuki de Sharaku, la carte magnétique de retrait (nous sommes en 1972) qui sert de publicité pour Toppan Printing, et les merveilles de 70s qui l'accompagnent, la très jolie repro d'un bois, tout en pastels (pour Yoshida Printing), deux photos autocollantes argentées (Cellostick), et d'autres encore : ce volume est décidément notre préféré. Peu courant.

Divers / Misc. — Au sommaire / Contents :

Prospects of Japanese Printing Technology (Yamanashi)
Change in Optical properties of Paper and Other Porous Substances Due to Moistening with Liquid (Wakeshima)
Photopolymer Printing Plates in Japan (Tsunoda)
Letterpress Printing : Its Present and Future (Takehara)
Study on Measurment and Control of Water Film Thickness on Offset Plate (Kunishi)
Liquid Crystal Printing (Chameleon Print) (Honda)
Status Quo of Electro-Typesetter in Japan (Shimabukuro)
Synthesis and Properties of the New Azidopolymer (Nagamatsu)
Trends toward Automatic Newspaper Making in Japan (Yuri)
International Interflow of Japanese Publication Industry (Nakajima)
Synthetic Paper in Japan (Nakamoto)
Rotary Screen Printing System (Konno)
Present and Future of Screen Printing (Tate)
Business Forms Printing MAchines in Japan (Ota)
Typical Printing Machines and Equipment
Textile Printing (Fujioka)
Mona Lisa Portraits : Mt. Fuji's Printing Experiment and Works (Nakamura)
1972 Calendar Exhibition (Kogashiwa)
Reviewing the Paper and Pulp Industry (Makabe)
Printing Ink Industry (Kojima)
Exports and Imports of Cellophane (Hotta)














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Graphic Arts and Design in Japan
Graphic Arts Japan

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W.H. AUDEN. Thank You Fog (1974)




AUDEN Wystan Hughes (W. H.). Thank You, Fog (Merci, Brouillard). Last Poems. London : Faber & Faber, 1974. First edition.OUT OF STOCK

Description — In-8° (22 x 14 x 1 cm), 58 p., 300 g.
Hardcover, dj. Text in English.
Cartonné, jaquette. Texte en anglais.

État / Condition — Good-decent (minute tears to dj edges, light foxing on in/outside covers).
Bon-correct (petites déchirures aux bords de la jaquette, quelques rousseurs sur plats in/extérieurs).

Remarques & avis / Review — The first edition of this posthumous collection of fine poems by W.H. Auden.

Édition originale de ce recueil posthume de poèmes de W.H. Auden.

Divers / Misc. — x




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Graphic Arts Japan 19 : 1977-78 (1977)



Graphic Arts Japan. Vol. 19. 1977-1978. Tokyo : Japan Printers' Association, 1977.OUT OF STOCK

Description — In-4° (30 x 21 x 1 cm), 178 p, 800 g.
Pictorial softcover. Numerous ill. and engravings, b&w / colors. Texts in English.
Broché, couv. ill. Très nombreuses ill. et gravures, n&b / coul. Textes en anglais.

État / Condition — Excellent condition inside, cover slightly rubbed on the edges, soiling on lower cover.
Excellent état intérieur, couv. un peu frottée sur les bords, salissures en 4e de couv. et au dos.

Remarques & avis / Review — The true showcase of printing in the Japan of the 1960s and 70s. Graphic Arts Japan is an excellent publication, which joins ground articles (see below) and a great variety of illustrations (silver-gold, in 3D...) and engravings (photo-litho., copper, intaglio, various combinations...). Our favorites in this vol. 19 : the truly astounding colorful parrot in foam printing (application for Braille printing), the obijime (sash band) from Ishida Taiseisha Printing, the very cute calendar illustration print (skillful sweet potato print !), and a beautiful bronze flower basket (Mitsumura Printing).

Véritable vitrine de l'imprimerie du Japon des années 1960-70. Graphic Arts Japan est une excellente publication, qui associe des articles techniques de fond (voir ci-dessous) et une extrême richesse en tous types d'illustrations (dorées-argentées, en relief...) et gravures (photo-litho., cuivre, intaglio, combinaisons diverses...). En coups de cœur et chefs-d'œuvre de ce vol. 19 : le saisissant perroquet haut en couleurs et en relief, impression-mousse (appliquée pour l'impression Braille), l'obijime (bande de tissu) d'Ishida Taiseisha Printing, la très mignonne illustration pour calendrier (impression à la patate douce !), et un très beau panier à fleur japonais en bronze (Mitsumura Printing).

Divers / Misc. — Au sommaire / Contents :

Overview of Japanese Graphic Arts (Yamanashi)
Application of Aromatic Azide Image System (Yamaoka & Tsunoda)
Newsaper Printing by DIPPS (Sakuma)
Photosensitive Silicone and Waterless Lithographic Plate (Noshiro)
Endless Offset Printing Machine (Yamabe)
Foam Printing and Its Applications (Kasagi)
Application of Photochromism to Plate-Making (Kodera)
Magnetic Recording Cards for Labor Saving and Education (Namikawa)
Offset Business Form Press (Nara)
Screen Printing in Japan (Yokozawa)
Pollution-free Ink Feasability and Problems Involved (Sumida)
Development of Curveed Surface Printing (Homma)
Photosensitive Felexographic Plate (Akamatsu & Yamashita)
Thermo-transfer Printing from Printing Paper (Fujiu)
Problems about Photogravure Ink (Kaneko)
Typical Printing Machines and Equipment
Japanese Economy and Printing Industry (Mogi)
Printing Ink Industry (Takamatsu)
Paper and Pulp Industry in 1976 (Goto)













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Graphic Arts and Design in Japan
Graphic Arts Japan

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Package Design in Tokyo (1987)



(YAO Takeo). Package Design in Tokyo. Tokyo : Seibundoshi-Kousha, 1987. First ed.OUT OF STOCK

Description — In-4° (34 x 23 x 2 cm), 176 p., 1,3 kg.
Cartonnage, photographies coul. Bilingue anglais-japonais.
Hardcover, color pictures. Bilingual English-Japanese.

État / Condition — Good (scratch on the frontboard and lower spinestrip; otherwise excellent).
Bon (épidermure sur le premier plat et en bas du dos ; sinon excellent).

Remarques & avis / Review — A fine, profusely illustrated overview of that art in which the Japanese industry excels: product package & wrapping design. Contrarily to what the title announces, deals with Package Design throughout Japan (cf. Misc.). Bilingual English-Japanese.

Très bon panorama, abondamment illustré, de cet art dans lequel l'industrie japonaise excelle : le design d'emballage commercial. Contrairement à ce que le titre suggère, traite du Package Design dans tout le Japon (cf. Divers). Bilingue anglais-japonais.

Divers / Misc. — À la table / Table of contents :

Introduction
Marketing and Package Design — MURATA Shoji
The Problems of Package Design and the Special Nature of Japanese Corporate Identity Planning — FUKAMI Yukio
Issues in Package Design — YAO Takeo
Japanese Package Design : An Outline — KURUSU Yoshiro
Packaging in Famous Shops — YAO Takeo
Kyoto Confectionery and Packages — TAZUMI Shiro

EIGHT TOP MAKERS OF JAPAN

Ajinomoto Co., Ltd.
Kao Corporation
Kose Cosmetics
Suntory Limited
Shiseido Co., Ltd
Sony Corporation
Toshiba Corporation
Pola Cosmetics Inc.
Miscellaneous

PACKAGE DESIGN OF FAMOUS SHOPS

Muhoan (Kobe)
Heiando-Umetsubo (Hiroshima)
Meibutsu-Kamado (Kagawa)
Chikihudo (Nagano)
Sohonke-Surugaya (Wakayama)
Torindo (Osaka)
Morihachi (Kanazawa)
Muraoka-Sohonpo (Saga)
Toraya (Tokyo)
Shuetsu (Tokyo)
Eitaro-Sohonpo (Tokyo)
Kinshobai (Tokyo)

PACKAGE DESIGN IN KYOTO

PDC / JAPAN BRANCH MEMBERS

AOKI Shigeyoshi
OMORI Shigeshi
OKAZAWA Takeshi
KANEKO Shyunya
KIMATA Tokihiko
KUMAI Yasui
SHIRAKAWA Kokichi
SUGII Seiji
NISHIGORI Shozo
HATTA Misao
FUKAMI Yukio
FUJITA Makoto
MAEDA Kazuki
MURA Teisuke
YAMADA Hiroko
YAO Takeo

Postcript
Profile
Present Condition of Japanese Package Design


















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Graphic Arts and Design in Japan

To inquire about or order a book, contact me !
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Graphic Arts Japan, n° 12, 1970-1971 (1970)



Graphic Arts Japan. Vol. 12. 1970-1971. Tokyo : Japan Printers' Association, 1970.OUT OF STOCK

Description — In-4° (30 x 21 x 2 cm), 214 pp, 1,2 kg.
Softcover. Numerous ill. and engravings, b&w / colors, 1 unfolding triple page. In English.
Broché. Foison d'ill. & gravures, n&b / coul., 1 triple page dépliante. En anglais.

État / Condition — Good (cover slightly rubbed on the edges, minute tears on spine ends, soiling on the back and lower cover; excellent condition inside).
Bon (couv. un peu frottée sur les bords, accrocs minimes aux coiffes, salissures au dos & en 4e de couv. ; excellent état intérieur).

Remarques & avis / Review — True showcase of printing in the Japan of the 1960s and 70s. GAJ is an excellent publication, which joins ground articles (see below) and a great variety of illustrations (silver-gold, in 3D...) and engravings (photo-litho., copper, intaglio, various combinations...). Our favorites in this vol. 12 : Cézanne's Trump Players in off-set litho. and 4-color intaglio Sammeldruck, a stunning stereoscopic 3D print of zebras in the savanna, four stickers for the 1970 Osaka Universal Exhibition, and a vrey pretty reproduction (as an ex. of a high-quality color separation method) of the Sagano in Kyoto of the Rakushisha.

Véritable vitrine de l'imprimerie du Japon des années 1960-70. GAJ est une excellente publication, qui associe des articles techniques de fond (voir ci-dessous) et une extrême richesse en tous types d'illustrations (dorées-argentées, en relief...) et gravures (photo-litho., cuivre, intaglio, combinaisons diverses...) avec, en coups de cœur et chefs-d'œuvre de ce vol. 12 : Les joueurs de carte de Cézanne en litho off-set 4 coul. et intaglio Sammeldruck 4 coul., une bluffante impression 3D stéréoscopique de zèbres en savane, quatre auto-collants pour l'Exposition Universelle d'Osaka de 1970, et une très jolie reproduction (en ill. d'un procédé de pointe de séparation des couleurs) du Sagano à Kyoto du Rakushisha.

Divers / Misc. — Au sommaire / Contents :
Japan's Printing Industry and Its Future (Iisaka)
Ink Distribution Intaglio Press (Yoshijima)
Fundamental Study on Structural Elements of Printed Patterns (Umekawa & Okuyama)
Photopolymers (Mogi)
Prospects of Home Facsimile in Japan (Yuri)
Multicolor Newspaper Printing (Furuta)
Photomasks (Takeuchi & Matsumoto)
Japanese Bookbinding Materials (Makabe)
Aqua-coat, Water-based Paper Coating Varnish (Ichimi)
Electronics and Graphic Arts (Kamata)
Screen Process Printing in Japan (Kumazawa)
Computerized Phototypesetter of Japan (Sekiguchi)
Typical Printing Machines and Equipment
Printing Industry Plays a Big Role at Expo '70 (Takagi)
Dai Nippon Printing Co. and Expo '70 (Kato)
Printing Ink Industry in Japan (Kojima)
Japan's Paper and Pulp Industry (Makabe)
On Japanese Cellophane (Hotta)
Problems Involved in the Export of Printed Matter (Ichiki)
The 5th Asia-Pacific Printers Congress and Technical Discussions by Individual Groups (Kimura)















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