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Recent acquisitions
☞ The Photographic Prints, Posters & Postcards on one hand, and the Original Artworks, Drawings and Prints on the other, now have their own, especially dedicated pages! These sections had grown so vast that navigation was getting unpractical. Better now, we hope.

Graphic Arts Japan, n° 14, 1972-73 (1972)



Graphic Arts Japan. Vol. 14. 1972-1973. Tokyo : Japan Printers' Association, 1972.OUT OF STOCK

Description — 4° (30 x 21 x 2 cm), 206 pp, 1.2 kg.
Pictorial softcover. Numerous ill. and engravings, b&w / colors, 1 unfolding double page. Texts in English.
ouv. ill. Très nombreuses ill. et gravures, n&b / coul., 1 double page dépliante. Textes en anglais.

État / Condition — Good / Bon.

Remarques & avis / Review — The true showcase of printing in the Japan of the 1960s and 70s. GAJ is an excellent publication, which joins ground articles (see below) and a great variety of illustrations (silver-gold, in 3D...) and engravings (photo-litho., copper, intaglio, various combinations...).
Our favorites in this vol. 14 : the truly superb upper cover ("Edo Komon and Hokusai" by Nakamura Makoto, renowned artist and at the time chief of the Design Office at Shiseido's), a very fine engraving of one of Sharaku's kabuki actors, the "Cash Dispenser Special Card" (It's year 1972, mind you) which acts as the advertizement for Toppan Printing, and the small 70s marvels which come along with it, the very pretty reproduction of an all pastel-color woodprint (for Yoshida Printing), two silver photo-stickers (Cellostick), and many more : this volume is definitely a favorite. Uncommon.

Véritable vitrine de l'imprimerie du Japon des années 1960-70. GAJ est une excellente publication, qui associe des articles techniques de fond (voir ci-dessous) et une extrême richesse en tous types d'illustrations (dorées-argentées, en relief...) et gravures (photo-litho., cuivre, intaglio, combinaisons diverses...).
En coups de cœur et chefs-d'œuvre de ce vol. 14 : la couverture ("Edo Komon and Hokusai" par Nakamura Makoto, artiste renommé et, à l'époque, chef du département Design de Shiseido), absolument splendide, une magnifique gravure reproduisant un acteur de kabuki de Sharaku, la carte magnétique de retrait (nous sommes en 1972) qui sert de publicité pour Toppan Printing, et les merveilles de 70s qui l'accompagnent, la très jolie repro d'un bois, tout en pastels (pour Yoshida Printing), deux photos autocollantes argentées (Cellostick), et d'autres encore : ce volume est décidément notre préféré. Peu courant.

Divers / Misc. — Au sommaire / Contents :

Prospects of Japanese Printing Technology (Yamanashi)
Change in Optical properties of Paper and Other Porous Substances Due to Moistening with Liquid (Wakeshima)
Photopolymer Printing Plates in Japan (Tsunoda)
Letterpress Printing : Its Present and Future (Takehara)
Study on Measurment and Control of Water Film Thickness on Offset Plate (Kunishi)
Liquid Crystal Printing (Chameleon Print) (Honda)
Status Quo of Electro-Typesetter in Japan (Shimabukuro)
Synthesis and Properties of the New Azidopolymer (Nagamatsu)
Trends toward Automatic Newspaper Making in Japan (Yuri)
International Interflow of Japanese Publication Industry (Nakajima)
Synthetic Paper in Japan (Nakamoto)
Rotary Screen Printing System (Konno)
Present and Future of Screen Printing (Tate)
Business Forms Printing MAchines in Japan (Ota)
Typical Printing Machines and Equipment
Textile Printing (Fujioka)
Mona Lisa Portraits : Mt. Fuji's Printing Experiment and Works (Nakamura)
1972 Calendar Exhibition (Kogashiwa)
Reviewing the Paper and Pulp Industry (Makabe)
Printing Ink Industry (Kojima)
Exports and Imports of Cellophane (Hotta)














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